DAFx26 Organizing Committee

Local Organizing Committee

• Mark Rau (MIT) - Co-organizer
• Kurt Werner (Soundtoys) - Co-organizer
• Elliot Canfield-Dafilou (Yale) - Paper chair
• Jatin Chowdhury (MIT)
• Champ Darabundit (McGill) - Webmaster
• Orchisama Das (King's College London)
• Kaylyn Holmes (Harvard University)
• Jin Woo Lee (MIT)
• Shahan Nercessian (Splice)
• Paris Smaragdis (MIT)
• Alex Tung (MIT)

Contact

If you have any queries or questions, please contact the organizers at dafx2026@gmail.com.

DAFx Executive Committee

• Vesa Välimäki (Aalto University, Helsinki, Finland)
• Stefan Bilbao (University of Edinburgh, Edinburgh, Scotland)
• Kurt Werner (Soundtoys, Somerville, MA, USA)
• Martin Holters (Helmut Schmidt University, Hamburg, Germany)
• Orchisama Das (King's College London, Londgon, England)
• Fabián Esqueda (KORG Germany GmbH, Berlin, Germany)
• Mark Rau (Massachusetts Institute of Technology, Cambridge, MA, USA)
• Stefania Cecchi (Università Politecnica delle Marche, Ancona, Italy)
• Leonardo Gabrielli (Università Politecnica delle Marche, Ancona, Italy)
• Alberto Bernardini (Politecnico di Milano, Milan, Italy)

DAFx Founding Board

• Daniel Arfib (CNRS-LMA, Marseille, France)
• Peter Balazs (Acoustics Research Institute, Austrian Academy of Sciences)
• Nicola Bernardini (Conservatorio di Musica "Cesare Pollini", Padova, Italy)
• Stefan Bilbao (University of Edinburgh, UK)
• Philippe Depalle (McGill University, Montreal, Canada)
• Giovanni De Poli (CSC-DEI, University of Padova, Italy)
• Myriam Desainte-Catherine (SCRIME, Université de Bordeaux, France)
• Markus Erne (Scopein Research, Aarau, Switzerland)
• Gianpaolo Evangelista (University of Music and Performing Arts, Vienna, Austria)
• Simon Godsill (University of Cambridge, UK)
• Robert Höldrich (IEM, University of Music and Performing Arts, Graz, Austria)
• Pierre Hanna (Université de Bordeaux, France)
• Jean-Marc Jot (DTS, CA, USA)
• Victor Lazzarini (National University of Ireland, Maynooth, Ireland)
• Sylvain Marchand (L3i, University of La Rochelle, France)
• Damian Murphy (University of York, UK)
• Søren Nielsen (SoundFocus, Arhus, Denmark)
• Markus Noisternig (IRCAM - CNRS - Sorbonne University / UPMC, Paris, France)
• Luis Ortiz Berenguer (ETSIS Telecomunicación - Universidad Politécnica de Madrid, Spain)
• Geoffroy Peeters (IRCAM, France)
• Rudolf Rabenstein (University Erlangen-Nuremberg, Erlangen, Germany)
• Davide Rocchesso (University of Palermo, Italy)
• Jøran Rudi (NoTAM, Oslo, Norway)
• Mark Sandler (Queen Mary University of London, UK)
• Augusto Sarti (DEI - Politecnico di Milano, Italy)
• Lauri Savioja (Aalto University, Espoo, Finland)
• Xavier Serra (Universitat Pompeu Fabra, Barcelona, Spain)
• Julius O. Smith (CCRMA, Stanford University, CA, USA)
• Alois Sontacchi (IEM, Univ. of Music and Performing Arts, Graz, Austria)
• Jan Tro (Norwegian University of Science and Technology, Trondheim, Norway)
• Vesa Välimäki (Aalto University, Espoo, Finland)
• Udo Zölzer (Helmut-Schmidt University, Hamburg, Germany)

Programme Committee

• Alberto Acquilino (Western University)
• Alexander Adami (IIS Fraunhofer Institut)
• Jens Ahrens (Chalmers University of Technology)
• Benoit Alary (IRCAM)
• Randall Ali (University of Surrey)
• Guillermo Arámburo Rodríguez (L-Acoustics)
• Federico Avanzini (University of Milan)
• Jeremy B. Bai (FAU)
• Isabel Barbancho (Universidad de Málaga, ATIC Research Group)
• Roser Batlle-Roca (Universitat Pompeu Fabra)
• Stefan Bayer (Nokia Technologies)
• Giuseppe Bergamino (Università Politecnica delle Marche)
• Alberto Bernardini (Politecnico di Milano)
• Maurizio Berta (KTH Royal Institute of Technology)
• Stefan Bilbao (The University of Edinburgh)
• Matthias Bittner (Vienna University of Technology)
• Lancelot Blanchard (MIT Media Lab)
• Jose Luis Blanco (Universidad Politécnica de Madrid)
• Braxton Boren (American University)
• Yann Bourdin (Arturia)
• Enrico Bozzo (University of Udine)
• Valeria Bruschi (UNIVPM)
• Marcelo Caetano (University of California, San Diego (UCSD))
• Guilherme Campos (University of Aveiro)
• Sergio Canazza (University of Padova)
• Elliot Canfield-Dafilou (Institute of Sacred Music, Yale University)
• Thibaut Carpentier (IRCAM)
• Alistair Carson (University of Edinburgh)
• Stefania Cecchi (UNIVPN)
• Vasileios Chatziioannou (Institute of Music Acoustics)
• Junting Chen (University of Salford)
• Yu-Hua Chen (National Taiwan University)
• Ming Cheng (National Taiwan University)
• Tian Cheng (National Institute of Advanced Industrial Science and Technology)
• Min Jun Choi (Seoul National University)
• Woosung Choi (Sony AI)
• Jatin Chowdhury (MIT)
• Gianluca Ciattaglia (DII, Università Politecnica delle Marche)
• Jason Corey (University of Michigan)
• Samuele Cornell (Carnegie Mellon University)
• Stefano D'Angelo (dangelo.audio)
• Francesco Dal Rí (Conservatory F. A. Bonporti, Trento)
• Gloria Dal Santo (Dept. of Information and Communications Engineering, Aalto University)
• Stefano Damiano (KU Leuven)
• Roger Dannenberg (Carnegie Mellon University)
• Champ Darabundit (McGill University)
• Orchisama Das (CCRMA, Stanford University)
• Gian Marco De Bortoli (Aalto University)
• Enzo De Sena (University of Surrey)
• Aaron Dees (TU Dublin)
• Kristjan Dempwolf (PreSonus Software)
• Philippe Depalle (McGill University)
• Rodrigo Diaz Fernandez (Queen Mary University of London)
• Sascha Disch (Fraunhofer)
• Christian Dittmar (Fraunhofer)
• Pierre Donat-Bouillud (Czech Technical University)
• Michele Ducceschi (Univeristy of Bologna)
• Lars Engeln (Chair of Mediadesign, Technische Universität Dresden)
• Fabian Esqueda (Korg Germany GmbH)
• Georg Essl (University of Wisconsin - Milwaukee)
• Gianpaolo Evangelista (independent researcher)
• Ricardo Falcon Perez (Aalto University)
• Christof Faller (Illusonic GmbH)
• Michael Fioretti (UNIVPM)
• Federico Fontana (University of Udine)
• Dominique Fourer (IBISC - Univ. Evry / Paris-Saclay)
• Leonardo Gabrielli (DII, Università Politecnica delle Marche)
• Riccardo Giampiccolo (Politecnico di Milano)
• Jean-Louis Giavitto (IRCAM - UMR STMS 9912 CNRS)
• Dan Gillespie (Newfangled Audio)
• Athanasios Gotsopoulos (Neural DSP)
• Yicheng Gu (The Chinese University of Hong Kong, Shenzhen)
• Pierre Guillot (IRCAM)
• Esteban Gutiérrez (Universitat Pompeu Fabra)
• Kerry Hagan (University of Illinois)
• Nara Hahn (University of Southampton)
• Seungu Han (Seoul National University)
• Laurence Hobden (Meridian Audio Ltd.)
• Robert Hoeldrich (University of Music and Performing Arts Graz)
• Aidan Hogg (Queen Mary University of London)
• Nicki Holighaus (Acoustics Research Institute, Austrian Academy of Sciences)
• Clara Hollomey (University of Applied Sciences St. Pölten)
• Bo Holm-Rasmussen (Technical University of Denmark)
• Martin Holters (Helmut Schmidt University)
• Andrew Horner (The Hong Kong University of Science and Technology)
• Wen-Yi Hsiao (independent researcher)
• Ilias Ibnyahya (Queen Mary University of London)
• Johannes Imort (Adobe Research)
• Axel Jantsch (KTH Royal Institute of Technology)
• Alexander Refsum Jensenius (University of Oslo)
• Jean-Marc Jot (SonicCloud, Inc.)
• Lauri Juvela (Aalto University)
• Soohyun Kim (CCRMA, Stanford University)
• David Kim-Boyle (The University of Sydney)
• Simon King (The University of Edinburgh)
• Ryoho Kobayashi (J.F. Oberlin University)
• Panayiotis Kokoras (University of North Texas)
• Kazunobu Kondo (Yamaha Corp.)
• Matthieu Kowalski (Univ Paris-Sud)
• Mathieu Lagrange (Ls2n cnrs)
• Gyubin Lee (Korea Advanced Institution of Science and Technology)
• Jin Woo Lee (Massachusetts Institute of Technology)
• Sungho Lee (Seoul National University)
• Wei-Hsiang Liao (Sony Corporation)
• Johan Lilius (Åbo Akademi University)
• Christian Limberg (National Institute of Informatics (NII))
• Yunyi Liu (University of Sydney)
• Filipe Cunha Monteiro Lopes (Escola Superior de Educação - P. Porto)
• Xinmeng Luan (McGill University)
• Alexey Lukin (iZotope, Inc.)
• Pierre Mahé (Stryker)
• Pasquale Mainolfi (Dept. of New Technologies and Musical Languages, Conservatorio Statale "G. Martucci")
• Ayoub Malek (Huawei Munich Research Center)
• Sylvain Marchand (University of La Rochelle)
• Nils Marggraf-Turley (Imperial College London)
• Matija Marolt (University of Ljubljana)
• Oliviero Massi (Politecnico di Milano)
• Russell McClellan (independent researcher)
• Thomas Mckenzie (University of Edinburgh)
• Andrew McPherson (Imperial College London)
• Alessandro Ilic Mezza (Politecnico di Milano)
• Romain Michon (INRIA)
• Stepan Miklanek (Department of Telecommunications, Brno University of Technology)
• Stylianos Mimilakis (Neural DSP)
• Christopher Mitcheltree (Queen Mary University of London)
• Richard Mitic (Mälardalens Universitetet)
• Eloi Moliner (Aalto university)
• Sarabeth S. Mullins (Treble Technologies)
• Judy Najnudel (UVI)
• Annika Neidhardt (Mittweida University of Applied Sciences)
• Shahan Nercessian (Splice)
• Søren Nielsen (SoundFocus ApS and Aarhus University)
• Xinlei Niu (Australian National University)
• Stephen Oxnard (Meridian Audio Ltd.)
• Rui Pedro Paiva (University of Coimbra)
• Côme Peladeau (LTCI Telecom Paris)
• Yueh-Po Peng (Institute of Information Science, Academia Sinica)
• Pedro Pestana (UCP)
• Nils Peters (Trinity College Dublin)
• Jean-Francois Petiot (École Centrale de Nantes)
• Mirco Pezzoli (Politecnico di Milano)
• Coriander V. Pines (independent researcher)
• David Poirier-Quinot (Sorbonne Université, CNRS, Institut Jean Le Rond d'Alembert)
• Niels Henrik Pontoppidan (Eriksholm Reserach Centre, Oticon A/S)
• Karolina Prawda (Aalto University)
• Rudolf Rabenstein (University Erlangen-Nuremberg)
• Pavel Rajmic (Brno University of Technology)
• Mark Rau (MIT)
• Christopher Ringhofer (University of Duisburg-Essen)
• Thomas Risse (IRCAM - Sorbonne Université)
• Luis Rivera (Universidad Del Valle de Guatemala)
• Fanny Roche (Arturia)
• Gerard Roma (University of West London)
• Dirk Roosenburg (independent researcher)
• Jonas Roth (ETH Zurich)
• Robert Rowe (New York University)
• David Roze (STMS lab, CNRS-IRCAM-SU)
• František Rund (CTU FEE)
• Riccardo Russo (University of Bologna)
• Roope Salmi (Aalto University Acoustics Lab)
• Mark Sandler (Queen Mary University of London)
• Parakrant Sarkar (City University of Hong Kong)
• Carla Scaletti (Symbolic Sound Corporation)
• Michele Scarpiniti (DIET, "Sapienza" University of Rome)
• Gary Scavone (McGill University)
• Matteo Scerbo (University of Surrey)
• Samuel Schachter (Fractal Audio Systems)
• Frank Schultz (University of Rostock)
• Donald Schulz (Huawei)
• Fares Schulz (Audio Communication Group, Technische Universität Berlin)
• Simon Schwär (International Audio Laboratories Erlangen)
• Daniel Scorranese (Conservatory "A. Casella", L'Aquila)
• Rod Selfridge (Edinburgh Napier University)
• Xavier Serra (Universitat Pompeu Fabra)
• Jordie Shier (Queen Mary University of London)
• Riccardo Simionato (University of Bordeaux)
• Travis Skare (Stanford University)
• Paris Smaragdis (MIT)
• Matthew Smart (University of Huddersfield)
• Julius Smith (CCRMA, Stanford University)
• Tamara Smyth (University of California San Diego)
• Domenico Stefani (University Of Trento)
• Francis Stevens (University of York)
• Christoph Studer (ETH Zurich)
• Li Su (Academia Sinica)
• Eto Sun (McGill University)
• Shinnosuke Takamichi (The University of Tokyo)
• Tony Tew (University of York)
• Etienne Thoret (Schulish School of Music, McGill University)
• Joseph Timoney (Maynooth University)
• Marco Tiraboschi (University of Milan)
• Pierre Alexandre Tremblay (Conservatorio della Svizzera italiana)
• Alex Tung (MIT)
• Luca Turchet (University of Trento, DISI)
• Daniel Turner (University of York)
• Luna Valentin (Stanford, CCRMA University)
• Akito van Troyer (Berklee College of Music)
• Maarten Van Walstijn (Queen's University Belfast)
• Julian Villegas (University of Aizu)
• Gualtiero Volpe (InfoMus-DIST-University of Genoa)
• Henrik von Coler (School of Music, Georgia Institute of Technology)
• Vesa Välimäki (Aalto University)
• Aogu Wada (AlphaTheta Corporation)
• Russell Wedelich (Eventide, Inc.)
• Wolfram Emmanuel Weingartner (independent researcher)
• Jeremy Wells (Creative Ltd.)
• Kurt Werner (Soundtoys)
• Kin Hong Wong (The Chinese University of Hong Kong)
• Alec Wright (University of Edinburgh)
• Lonce Wyse (National University of Singapore)
• Chin-Yun Yu (Queen Mary University of London)
• Victor Zappi (Northeastern University)
• Miguel Zea (Universidad del Valle de Guatemala)
• Zhe Zhang (National Institute of Informatics, SOKENDAI)
• Haowen Zhao (University of York)
• Victor Zheleznov (University of Edinburgh)
• Franz Zotter (Institute of Electronic Music and Acoustics, Kunstuni Graz)
• Michal Švento (FEEC, Brno University of Technology)